Botanical Watercolour · London

Slow down.
Learn to see. Painting with Inessa.

A calm, step-by-step painting practice rooted in deep botanical observation. For those who want to slow down, reconnect with nature and find a quiet space that belongs only to them.

SBA DiplomaBotanical Illustration
RBGE CertificateRoyal Botanic Garden Edinburgh
ExhibitionsUK and overseas
CollectionsEurope, USA & Australia
Inessa Falina painting
“I don’t just teach painting.
I teach how to see.“— Inessa Falina

Most art courses begin with technique. This one begins with attention. Before a single brush touches paper, you learn to truly look at a plant — its structure, its light, its life. Painting becomes the natural next step. The result is not just a finished illustration. It is a quieter, more present version of yourself.

Is this for you?

You might recognise yourself here.

These are the thoughts that bring people to this practice. If any of them feel familiar, you are in the right place.

I’m always busy, but nothing feels like it’s truly for me. My days disappear and I can’t point to a single moment that was mine.
I’ve always loved nature — gardens, flowers, walking outside — but I never stop long enough to really see any of it.
I tried learning something creative before and got overwhelmed. I don’t want to feel that way again.
I don’t think I’m creative. I was told that early on and I’ve believed it ever since.
I need something to switch my mind off. Meditation doesn’t hold me. I need something to do with my hands.
I want something that belongs only to me. Not useful to anyone else. Just mine.
What painting with Inessa is

This is not a fast technique tutorial.

It is a slow creative practice — designed to help you observe nature more deeply, build real skills step by step and find a quiet space that belongs only to you. Painting is the tool. Presence is the point.

Observation first

You begin not with a brush, but with attention — learning to truly see a plant before a single mark is made.

Calm pace, no pressure

Every lesson is unhurried. No deadlines, no comparisons, no expectation of perfection. The process is the practice.

Grounded in lived experience

This practice began as Inessa’s own path of recovery. It changed how she sees. That is what she teaches.

Warm, personal teaching

Inessa brings genuine warmth and occasional humour to every lesson. It feels like painting with a trusted friend.

A practice, not a performance

The goal is a personal space — a weekly ritual of calm and attention that belongs to you.

Fits into real life

Self-paced and completely flexible. One lesson at a time, at the moment that suits you.

In their words

What our students say.

“

Honestly, I wasn’t sure I’d manage to fit a painting course into my already busy week, but I’ve been enjoying it much more than I expected. I can watch the lessons when it suits me, which makes a big difference. I’ve also started looking at plants differently. Now I find myself looking at the flowers in my garden and thinking about how I’d paint them. It’s lovely to have something that’s just for me.

Claire, free course student
“

I had absolutely no painting experience and was quite nervous about starting, but it turned out to be much less intimidating than I’d imagined. I like being able to pause the lessons and go back when I need to. Getting the colours right is still a challenge for me, but I’m learning. And I never thought I’d say this, but I now stop to look at leaves when I’m out walking. I would definitely recommend it to anyone who wants to try painting but doesn’t know where to begin.

Anna, free course student
“

I’ve always loved gardens and flowers, so I was curious to see whether I’d enjoy painting them. What surprised me most was discovering just how much detail there is in something as simple as a leaf. I can spend ages looking at one now! I also appreciate being able to fit the lessons around my week rather than having to be somewhere at a particular time.

Margaret, free course student
“

I’ve done some painting before, but watercolour has always been something I wanted to feel more confident with. The course has made me think differently about how I approach a subject. I used to pick up my brush almost straight away, whereas now I spend more time looking first. Light and shadow can still be tricky, but I’m getting better at being patient and not trying to do everything at once.

Susan, free course student
“

I signed up because I love flowers and have always wanted to learn how to paint them properly. I wasn’t sure I would be any good at watercolour, but I thought I’d give it a go. I really enjoyed painting along with Inessa and was surprised by how much I could learn in just four weeks. Some things were easier than I expected, others definitely took a bit of patience! I’m so glad I joined, and now I’m already thinking about what I’d like to paint next.

Aisha, free course student
“

Most of my days are taken up with work, meetings and looking after everyone else, so when I saw Inessa’s course, I thought it would be lovely to do something completely different for a change. I’ve always admired botanical art, although I’d never really tried painting it myself. I liked that I could follow the lessons in my own time, without having to fit another appointment into my diary. It turned out to be a wonderful way to switch off from work for a while and concentrate on something just for me. I didn’t expect to enjoy it quite so much!

Caroline, free course student
The method

Five steps. One quiet practice.

Inessa’s approach is not technique-first. It is experience-first. Each step builds naturally on the last — never overwhelming, always purposeful.

1

Observation and connection with nature

The practice begins before a brush is picked up. You learn to truly see plants — their shapes, textures, colours and structure. This step changes everything that follows.

2

Building fundamental skills

Core techniques are introduced gradually: drawing, composition, colour mixing, brush control, layering, understanding light and form. Clear and manageable — never rushed.

3

Developing patience and presence

The emphasis shifts from producing a result to enjoying the process. Calmness becomes part of the practice — not something you force, but something that arrives on its own.

4

Creating finished botanical artwork

You apply your skills to complete botanical paintings with increasing detail and personal expression. Confidence grows.

5

Integrating creativity into daily life

Painting becomes a regular practice — a protected time each week for creativity, calm and connection with nature.

Inessa Falina painting
About Inessa

Botanical artist. Educator. Londoner by choice.

Inessa Falina began painting in 2021 — not as a career move, but as a way to recover. After significant loss, painting became her path back to herself. A process of rebuilding, healing and learning to see again.

Shaped by many years living in Italy and now based in London for over two decades, she brings a rich international life and a very particular way of seeing to everything she creates. After more than thirty years in senior corporate roles — including Managing Director of a property company — she turned fully to botanical art and never looked back.

Her work has been widely exhibited in the UK and abroad — in London at Mall Galleries, Chelsea Old Town Hall and Green&Stone, in Oxfordshire, and internationally in Greece, France and Canada. Her paintings are held in private collections across Europe, the United States and Australia.

Saatchi Art featured her work — including Posing Banana — directly on their platform.

Diploma in Botanical Illustration — Society of Botanical Artists (SBA), 2026
Certificate in Botanical Illustration — Royal Botanic Garden Edinburgh, 2022
Fellow, Linnean Society of London, Member of Chelsea Physic Garden Florilegium Society and Society of Botanical Artists.
Exhibited in the UK and internationally
Work featured by Saatchi Art (Posing Banana) · Collections on three continents
How art finds its people

Work that crosses borders.

Inessa’s collectors have found her at galleries, at dinner tables and at exhibitions — sometimes from nothing more than a photograph on a phone.

London, UK

A triptych that found its home

A collector saw Inessa’s Crab Apples: Evolution Trilogy after returning from an exhibition. She considered, and then chose with certainty.

“I am buying this one because I love its story.”

The triptych now hangs in her breakfast room — the heart of the house.

Koh Samui, Thailand

They sought her out

A couple from Belgium, already following Inessa’s work on Instagram, recognised her in Koh Samui and came to tell her they wanted to buy her picture.

London, UK

A bank transfer at dinner

A man Inessa had never met, introduced at a dinner table, looked at her Instagram and immediately asked to buy her Pomegranates. He made the transfer that same evening. He had seen it only on a phone screen.

Two ways to begin

Both courses start
this October

Starting Any time · Free
Painting With Inessa

Discover Nature Through Painting

The free, four-week introduction. Slow down, paint and observe the natural world more closely. No experience needed, no pressure.

4 guided lessons
Botanical observation exercises
Materials guide included
No credit card required
Start the free course
Starting 31st October · £119
Painting With Inessa

Beyond The Ordinary

Five pre-recorded lessons guide you to two finished botanical paintings, with three months to revisit them at your own pace.

No experience needed
5 lessons, about 45 minutes each
2 finished botanical paintings
3 months of access
Materials list emailed in advance
2 Bonuses
1A personal painting review for the first 5 people who enrol
2A 2027 calendar for all enrollees
Explore Beyond the Ordinary
The full programme

Painting with Inessa

A structured, self-paced online course in botanical watercolour painting. Designed for anyone who wants to slow down, not speed up.

This is not another skill-building course. It is a creative practice rooted in observation, patience and genuine connection with the natural world.

Taught by Inessa Falina — SBA Diploma, RBGE Certificate — one of the few teachers who brings genuine emotional understanding to botanical art.

What the programme includes

Core video lessons

Botanical observation, drawing, colour mixing, light and shade, layering and building a finished piece.

Community and support

A private student group for sharing progress and connecting with others on the same path.

Materials guide

Recommended paints, brushes and paper — clearly explained, no overwhelm.

Completely self-paced

No deadlines. Learn at your own rhythm. The brushes will be here whenever you are.